![]() ![]() The lead guitarist brought in for the session, Danny Cedrone, had not had time to work up a new solo for the instrumental break on “(We’re Gonna) Rock Around The Clock,” so he repurposed one he’d used on a Haley recording two years earlier called “Rock This Joint.” Cedrone was paid $31 for his work that evening, which included performing what is still recognized as one of the greatest guitar solos of all time. Sears, ' Rock Around the Clock ' (also known as ' Außer Rand und Band ', ' Senza tregua il rock n roll ') is a Musical film, released in the USA on March 21 of 1956. Sears Choreography: Earl Barton Performer: Bill Haley and the Comets, Freddie Bell and His Bellboys, Bill. Haley then recorded a successful cover of the Big Joe Turner song Shake, Rattle And Roll, and on March 25, 1955, Rock Around The Clock was featured in the. With time running out and no chance of extending the session, Haley and his Comets were eager to lay down the song they’d been playing live for many months to enthusiastic audience response. Rock Around the Clock > Film Director: Fred F. And if Bill Haley was not exactly the revolution’s Thomas Jefferson, it may be fair to call him its John Hancock.īill Haley put his enormous signature on rock and roll history during the final 40 minutes of a three-hour recording session in New York City-a session set up not for the recording of “(We’re Gonna) Rock Around The Clock,” but of a song called “Thirteen Women (and Only One Man in Town).” It took the group nearly all of their scheduled session to get a useable take of “Thirteen Women,” a song that was entirely new to them but was chosen as the A-side of their upcoming single by their new record label, Decca. On April 12, 1954- Bill Haley and His Comets recorded “(We’re Gonna) Rock Around The Clock.” If rock and roll was a social and cultural revolution, then “(We’re Gonna) Rock Around The Clock” was its Declaration of Independence.
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